Artwork

Jeremy Nathan Marks — Equinox

Equinox

To begin with, Issue 04 has taken us to newer places — we received more poetry and fiction this time, and only to select a surprisingly lesser amount of those. Moving, then, away from them, this has been the first issue in which we’ve picked up more than just one image to feature.

The artist this time being from London, Ontario. Jeremy Nathan Marks.

While introducing this work, wonderfully titled ‘Equinox’, the artist says:

“I live in a place where a frontier of farms and hungry developers has removed old trees from the skyline, leaving a vast and often violent horizon in front of me. London is the thunderstorm capital of Canada, it also sits in a pocket where tornadoes and lake effect snowstorms are known to wreak havoc. The often treeless plains make for vulnerable coyotes, deer, small mammals and birds. Often, when the sky is not afoot with storms, it hangs over us all in a metallic grey that can persist well into the spring and ring like shots from a long gun.



“Since I come from elsewhere, I have had to learn not only how to engage with this sky but also how to accept it. This piece is a form of compromise: I am treating the great dome as my subject but like the dove in the Noah story, I have brought a branch along to remind me of the land.”


Jeremy Nathan Marks

Jeremy Nathan Marks is a London, Ontario-based writer and amateur photographer. Recent poetry, micro fiction, and photography appear/will appear in Writers Resist, Poets Reading The News, Cajun Mutt, KYSO Flash, Derelict Magazine, As It Ought To Be, The Local Train, Poetry Pacific, Rat’s Ass Review, Front Porch Review, and The Conclusion, among others. His short story, “Detroit 2099” will be published in Stories of the Nature of Cities Anthology 2099 in early summer.

More of his works:

(Art): The Blue Hour | (Poetry): The Wild Word / Malarkey Books / As it Ought to Be / Poetry Pacific / The Hopper / (Nonfiction): The Black Lion Journal | (Interview): The Wire’s Dream Magazine

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