It’s been a month since our Fifth Issue was published, and we wanted to share that in the first ten days after the coming out of the issue we received around 2000 visits, which is very enthusiastic. While beginning with Bold + Italic, we sure had been naively ambitious in expecting such a number of visitors after each issue – but our naivety has also been rewarded with this issue.
So, this post is put up here to celebrate all that it signifies, and to inform our (regular and upcoming) contributors about several other things:
- With the help of the brilliant number of submissions we’ve been receiving for every issue, we’ve been able to nominate poetry and prose for several awards – and now we’ve created a page for that here. We’ll be updating the nominations list every time something new happens.
- We’ve also created a contributor’s directory now, here – and we’re also working on arranging the links everywhere.
- And the most important notice is about an upcoming Ekphrastic Challenge – we’re working to update it online soon (we may take a fortnight or so). For the challenge, we’ll be putting up an artwork from a favourite artist at times and you’ll have to respond to it in your very own manner; the best responses will show up in an issue at some time in respective years.
Please rest assured, we’ll be updating our pages accordingly with every little information we can share with you.
PS: If you’re wondering, the most read piece from this issue is Audrey Molloy — 3 Poems, with over a hundred views alone. Have a look!
* Cover image, by Jayant Kashyap
In the very first issue of Bold + Italic, we had the opportunity to feature a sculpture, titled Tides, inspired by the ocean waves. Kubrick crafted it in Tuscany, Italy of Carrara marble. She tells us it was completed on a commission for the University of San Francisco (commissioned by the graduating class of 1968 for the 50th anniversary of their graduation when it was an all-women’s college – Lone Mountain Women’s College.)
Tides is now located at the top of the Lone Mountain campus staircase in the Sacred Heart Garden – “which for me,” Kubrick says, “is arguably one of the most beautiful views in all of San Francisco.”
“Tides was inspired by the Banzai Pipeline, a surf reef break on the North Shore of Oahu, where I lived as a child. Through this form, I try to express reverence for the beauty, movement, fluidity, and energy of ocean waves. […] I think there is a sort of magic that happens when we can merge with nature in this way.” – Yoko Kubrick, Issue 01
Here is what USF wrote about Tides and its installation in SF: “How to Install a Two Ton Sculpture” – quoting one of the students, “It’s really nice to have a little rest area going up all these stairs to Lone Mountain.”
In another article in the NY Times – “The Sculptor Who Conceives Classical Myths,” – Nick Marino writes about her work that the “piece doesn’t have a front or back, so you’re never certain how to view it; the only focal point is a suggestive hole that Kubrick bored through the middle.” To which, Kubrick suggests that such sculptures “give a larger space for interpretation; if you see a perfect image of something that’s classical realism, it doesn’t leave as much room for the imagination.”
A dream accomplished for her, Kubrick informs us that of the 358 public artworks in San Francisco listed in the Smithsonian’s online catalogue, only 15% are by women artists. (a sad fact?)
Yoko Kubrick is an American sculptor of Japanese and Czech heritage. She grew up in Guam, Hawaii, California and former Czechoslovakia, the contrasting cultures from where aroused her interest in the arts and now inform her work as a sculptor. She studied briefly at the Accademia di Belle Arti di Carrara (in Carrara, Italy) before leaving to work alongside professional sculptors in a marble atelier. She currently divides her time between the San Francisco Bay Area and Tuscany, Italy. Find her here!