Pat Howard — How to Write a Poem


How to Write a Poem

To write a poem, slough off television, radios, cell phones, excessive media and movies, recorded music – anything that demands your attention without giving you any quid pro quo. Turn yourself from an antenna into a tuning fork, quivering with the life that envelopes this planet.

May be hard. Anything that gives you an impression of a life other than what surrounds you, is a drug. People do not acknowledge this and turn from reality to more obvious hallucinations, never finding life, the source of poetry.

I heard this lesson and heeded it.

If you are addicted to televisions, radio, recorded music, you face a struggle but can rescue yourself.

Prof. Robert Howard of the University of San Francisco tells me, holding up the fingers of one hand, “I have not wasted that many hours in front of a television,” It takes me a few years to take him as a model; now it has been decades since I was a sofa spud.

Let’s say you’re working on withdrawal. You have increasing free time. Spend some reading. There are oceans of world literature – you visit all or become an expert in just one.

I recommend you read poetry that has endured – written before 1950 when the Age of Disapproval, a tide of anti-poetry set in.

Start with the Norton Anthology, it gives you selections of poets from the Old English (Beowulf) through the Americans (T.S. Eliot).  Read prose, too. Much of it may be classified as: Poetry – the ideal combination of sound and sense.

The novels of Honoré de Balzac are poetry because they sound wonderful as well as making sense.

Follow this regime and you will notice bird song outside your windows – the poetry of nature is never dead.  When the bird’s song puts you into a brief ecstasy, know that you – shrived of the media – are ready to write a poem.

A lady friend comes and says, “There’s a new restaurant opening in North Beach. It is called The Stinking Rose and everything they serve, from soup to ice cream will have garlic in it. People are already making reservations. The owners want somebody to write them a poem. The last of the Beat poets, – he has one tooth left in his head – is not coming up with anything.”

A few days later, you’re vacuuming, working on your car, or grooming your horse, free of recorded music – any constructive physical activity can trigger interesting writing. Keep a pen and notebook or an electronic secretary in your pocket.

You feel an ecstasy of inspiration, drop the vacuum cleaner, grab your pen, and write;

Garlic, I love you,

You’re everything I need,

I bow low down before you,

Beloved stinking weed.


Should anyone try to steal you,

My heart would fill with greed,

I’d find the bloody thief,

And really make him bleed.


Garlic I need you,

My fingers seek your touch,

You’re everything I’ve dreamed of,

Garlic you’re too much.

Hurry a copy of that off to your friend and soon you see it, framed, on the wall of The Stinking Rose as crowds line up outside on the sidewalk to get a table.

The owners invite you and your friend in for dinner on the house.

Keep a collection of your poems. Send them off to magazines – get paid for them – in time you’ll have enough for a book.

Let’s bring poetry back.

The pen is more powerful than the bomb.


Patrick Howard and his wife, Nephtha, live happily on the Eastern Shore of Lake Merritt. They are buying a house in Oakland. His work appears in the Galway Review, History Magazine and the Naval League’s Submarine Journal, among others.

Updates: Issue / Nominations | Mid 2019


Hello, dear readers, writers and contributors,

It was in mid March — only a little over three months before now — that we began accepting submissions for the fourth issue of Bold + Italic. The entry of genres picked up wonderful pace initially and during the time that numbers were gradually surpassing each previous number, we added to our positivity by nominating some poems for Best Indian Poetry 2019, those being:

• Time Warp, Simran Keshwani

• A Whiff of Spice, Uma Venkatraman

• Black, Divya Devarajan

• A Rube Goldberg Day, Aditya Shankar

We moved further, wrote to each of our nominees and congratulated them. And all this time, on the other side of the road, numerous submissions kept appearing each day, made it to our door: some came in and had to leave even though we wanted them to stay; some stayed a little longer, took tea; some, some more tea; and there were others that never left and happily added up as family. — One is those was Monica Lewis’ humorous THE MOST GOLDEN TICKET, alongside David Appelbaum’s the bicycle man.

All of this did keep us quite busy — and the very added up family now appears as our Issue 04, with artwork by Jeremy Nathan Marks and Anne Casey as our featured poet this time.

It is a wonderful issue — has been compiled to be one — and while we plan to send a set of poems and fiction we published as nominations for Best of the Net this year, please take some time to go through it. It won’t be a time ‘wasted’!

Also, before we leave, we’re still open to creative nonfiction submissions and those of art; however, for the fifth issue, we are also soliciting some of our favourite writers for their wonderful works.

Stay tuned,


Lisa, Kat & Jayant